My practice begins where knowledge ends: in the invisible, the absent, the unknowable, and the forces that exceed perception. I am drawn to archetypes and symbols as ancient vessels of meaning—forms that survive across cultures and time, carrying fears, desires and collective memories beyond rational language. At the same time, I am interested in how these ancient structures are reshaped by post-internet culture, mass media and contemporary visual narratives, where images circulate, mutate and become new forms of collective mythology.
My work moves through three interconnected territories: the unknown above us, the unknown left behind, and the unknown within us.
Above us lies the cosmic, the extraterrestrial, the vastness of what cannot be reached. The sky becomes a screen for projection, where fear, anticipation and wonder give shape to the Other.
Left behind are the traces of disappearance—ruins, fossils, waste, altered landscapes, remnants of lives and worlds. I approach these fragments as a form of speculative archaeology, imagining what might remain when human presence has faded.
Within us lies another unknown: the unstable territory of identity, memory, vulnerability and transformation. The body becomes a threshold between human and non-human, self and other, protection and exposure.
Across photography, film, performance and installation, I always return to archetypal forms, the mermaid, the shell, the fossil, the animal, the ruin, the garden, not as symbols to be decoded, but as open structures onto which meaning can be projected.
I am interested in the moment when an image, object or landscape ceases to be simply representational and begins to function as a symbol. My work asks how contemporary societies construct their own myths and how ancient archetypes can mutate in response to new fears and desires.